Inspired by martyrdom, Julien Fournié elicited beauty from darkness and sadness usually associated with the suffering of death on account of adherence to a cause, especially to one’s religious faith.
Using blood red crystals on embroideries and handpainted inked shadows to represent the scene of the slaughter, Julien Fournié did not include any references to religion but blended street culture with the use of big zippers strategically placed as perpendicular or diagonal slashes.
Using blood red crystals on embroideries and handpainted inked shadows to represent the scene of the slaughter, Julien Fournié did not include any references to religion but blended street culture with the use of big zippers strategically placed as perpendicular or diagonal slashes.
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